Prose (Проза) is the most typical form of language, applying ordinary grammatical structure
and natural flow of speech rather than rhythmic structure (as in traditional
poetry). Prose is reciprocal to poetry. While there are critical debates on the
construction of prose, its simplicity and loosely defined structure has led to
its adoption for the majority of spoken dialogue, factual discourse as well as
topical and fictional writing. It is commonly used, for example, in literature,
newspapers, magazines, encyclopedias, broadcasting, film, history, philosophy,
law and many other forms of communication.
Structure
Novels,
essays, short stories, and works of criticism are examples of prose. Other
examples include: comedy, drama, fable, fiction, folk tale, hagiography,
legend, literature, myth, narrative, saga, science fiction, story, theme,
tragedy.
Prose lacks
the more formal metrical structure of verse that is almost always found in
traditional poetry. Poems often involve a meter and/or rhyme scheme. Prose,
instead, comprises full, grammatical sentences, which then constitute
paragraphs and overlook aesthetic appeal. Some works of prose do contain traces
of metrical structure or versification and a conscious blend of the two
literature formats is known as prose poetry. Similarly, any work of verse with
fewer rules and restrictions is known as free verse. Verse is considered to be
more systematic or formulaic, whereas prose is the most reflective of ordinary
(often conversational) speech. On this point Samuel Taylor Coleridge requested,
jokingly, that novice poets should know the "definitions of prose and
poetry; that is, prose,—words in their best order; poetry,—the best words in
their best order." In Molière's play Le Bourgeois gentilhomme, Monsieur
Jourdain asked for something to be written in neither verse nor prose. A
philosophy master replied that "there is no other way to express oneself
than with prose or verse," for the simple reason being that
"everything that is not prose is verse, and everything that is not verse
is prose."
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